Due to conflict-of-interest laws, active U.S. Due to changes in U.S. William E. Simon, U.S. The clubhouse has held many business events; for example, several club members formed the U.S. Workers also upgraded the existing clubhouse to bring it in line with modern building codes; for instance, the club widened the building's original staircases. Starting in 2005, workers constructed a new kitchen and food-preparation area above the alley, and they rebuilt the roof to accommodate the new spaces. The project experienced delays and budget overruns after workers discovered damage on the roof. The project included connecting the ladies' dining room to the rest of the clubhouse; restoring the murals; and renovating the bedrooms. A mezzanine floor above the ladies' dining room contained four smaller dining rooms decorated in differing color palettes. Since 2013, the former ladies' dining room has served as a business center. In addition, the club began planning a rooftop dining area on the clubhouse's sixth floor, also designed by Acheson Thornton Doyle.
A string course runs horizontally above the first floor, at the same level as the top of the courtyard's colonnade. The eastern courtyard is placed behind a three-bay-wide colonnade with a central carriageway flanked by two pedestrian entrances. There was originally a third column in front of each pair, but they were removed when 60th Street was widened in 1922. The western and eastern ends of the colonnade are supported by square piers. The 60th Street sidewalk and one of the entrance colonnade's columns were rebuilt in 2000 after club members discovered damage there. 104 feet (32 m) above street level. At each corner of the facade above the first story are vertical bands of quoins. The facade's ground, or first, story is rusticated. Within the north wing, the ground story had a Louis XV-style dining room for ladies, which had a greenish-yellow color palette. Pierre to the north and Park Cinq and the Sherry-Netherland to the south. The exterior details are similar to those used in the now-demolished Marble Row three blocks south. The membership, once composed of white men, included numerous women and South Americans. White also designed custom-made torchères on the sidewalk outside the clubhouse.
The building was supposed to have been built out of white brick with marble trim, but these plans were subsequently changed so the clubhouse would be made entirely out of marble. Because the building was a city landmark, the club had to obtain permission from the LPC and local community groups. To the east of the original building is the east wing, which was built as a five-story bachelor apartment building before Codman redesigned it as a six-story dormitory. 7. Archived from the original on July 23, 2024. Retrieved July 18, 2024; "Metropolitan Club Title Changes". Subsequently, the New York City Landmarks Preservation Commission (LPC) hosted hearings in 1978 to discuss whether the Metropolitan clubhouse should be preserved as an official city landmark. The Metropolitan's original house rules banned women and non-members from the main clubhouse. In 2023, the Metropolitan Club sued the neighboring Hotel Pierre, claiming that the hotel's operators had caused $450,000 worth of damage to the clubhouse during a renovation of the hotel. After the tower was canceled, the Metropolitan Club started cleaning the clubhouse's facade in 1988 for more than $1 million. Park Tower hired James Stewart Polshek Partners to design a 37-to-39-story structure using these air rights.
Although the project's supporters claimed the tower would include space for organizations and raise money for the club, local groups and preservationists objected to the plan on aesthetic grounds. The firm of Byrns, Kendall & Schieferdecker was hired to renovate that space. In the mid-1990s, the American Academy in Rome leased space in the eastern annex and in the rear wing. The ground story of the rear wing includes a niche, providing space for carriages within the courtyard to turn around. The balcony on the third story is one bay wide on both the western and southern elevations. There are nine windows on the western elevation and 13 windows on the southern elevation, each decorated by festoons with fruit motifs. There are several different materials and design philosophies associated with cushion rubber. The design of the courtyard may have been inspired by a similar courtyard that McKim, Mead & White designed for the Villard Houses.
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